Offset print, 'Xexa Domb' after Victor Vasarely (Bruckmann Series 1974) , signed in the plate (covered by the passepartout). Presented in a silver metal frame under glass.

This mesmerizing artwork presents a three-dimensional hexagon, intricately constructed with an array of small, overlapping circles. Each circle varies in shade, ranging from deep purples to soft whites, creating a dynamic and fluid sense of movement across the surfaces. The artist skillfully manipulates light and shadow, giving depth and perspective that make the shape appear to float against the dark background. The geometric precision and optical illusion evoke a sense of intrigue and complexity, drawing the viewer in. Notably, the play between the rigid shape and the organic arrangement of circles provides a unique contrast, highlighting the tension between structure and fluidity. This piece is a striking example of contemporary optical art, blending mathematical precision with artistic creativity to challenge the viewer's perception.

Victor Vasarely born Győző Vásárhelyi in Hungary. (9 April 1906– 15 March 1997) was a Hungarian-French artist, who is widely accepted as a "grandfather" and leader of the Op art movement.

His work titled Zebra, created in 1937, is considered by some to be one of the earliest examples of Op art.

1965 onwards Vasarely developed his : Hommage à l'hexagone, Vega: The Tribute to the hexagon series consists of endless transformations of indentations and relief adding color variations, creating a perpetual mobile of optical illusion. In 1965 Vasarely was included in the Museum of Modern Art exhibition The Responsive Eye, created under the direction of William C. Seitz. His Vega series plays with spherical swelling grids creating an optical illusion of volume.